Edit
Ask for the cut. The agent reads your footage, makes the edit, and leaves every clip on the timeline for you to move.
Replaces
Premiere
DaVinci Resolve
Final Cut
Descript
HyperFrames
Where your team and agents make great videos
Your footage, your edit and your review notes live in one place.
Store your footage , edit it, and review it,
in one place, with your team and your 
agents.
Store
Your footage lives in Kino. Terabytes scrub locally, and every clip is transcribed, described, and searchable.
Replaces
- Dropbox
Shade
LucidLink
Review
Send a link. Comments land on your timeline, and the agent can answer them.
Replaces
Frame.io- Shade
Kino’s agent is powerful.
Your agent is great at motion graphics and animation in Kino. Built upon Remotion and optimized for fast playback, you can also tweak any detail within Kino’s “what you see is what you get” editor.
Make this vertical, follow speaker, use roto and branding.
the firmware of each instrument
Manage many variants of your video and ask the agent to one-shot each.
Start with craft. 100+ templates: titles, maps, captions and transitions. Bring them in or ask your agent to take inspiration from them.
- Turn this blog post into an explainer videoWrite
- Use the brand clone skill on fieldnotes.fmBrand
- Make it 9:16 and fix whatever breaksDeliver
- Line up all 5 WAVs with the camera audioSound
- Find and insert YouTube b-roll of YosemiteFind
Every creative decision is exposed to you and your agent.
One library for every clip. Bring footage from anywhere, and Kino knows what’s in all of it.
Search what’s said and what’s on screen.
Every clip is transcribed, described shot by shot, and knows who’s in it.
Filter by codec, camera, lens and shoot day.
Save a filter and it becomes a smart bin that fills as footage arrives.
A001
Name
Size
Kind
A001_C003_0411K2_001.R3D41.2 GB
RED Video Clip
A004C012_240311_R1QF.braw18.6 GB
Blackmagic RAW Movie
A004C012.V1.6F2A1.mxf6.8 GB
MXF Media File
A012C007_INTERVIEW.mov9.4 GB
QuickTime movie
ARCHIVE_1998.avi640 MB
AVI movie
C0161.MXF3.7 GB
MXF Media File
LOWER_THIRD_ALPHA.mov2.1 GB
QuickTime movie
TAPE_0042.avi1.3 GB
AVI movie
Cut camera originals. No transcode.
RED, Blackmagic RAW, ProRes, DNxHR and MXF play as the camera or Avid wrote them.
Media offline
メディアオフライン
Média hors ligne
Offline-Medien
脱机媒体文件
Medios sin conexión
Oggetto multimediale non in linea
미디어 오프라인
Медиаданные в автономном режиме
Mídia offline
VID_20260920_172713_010.insv“Media offline” is dead.
Every clip streams from Kino, so a project opens the same on any machine.
Send a link. Notes come back to your timeline.
They watch in a browser.
No account needed.
You see it on the timeline.
You or your agent fix it.
Everything is a URL.
Paste a render for review, share every asset as one package, or hand a node to your agent.
From people who make videos with Kino.
“It’s phenomenal, man. This is the most fun I’ve had at video editing. The MCP just feels so natural.”
Cole DumanskiLanceDBI’m on an absolute roll with content at the moment. I put out three times more videos now that I’ve switched from Final Cut to Kino.
Jayden ClarkHost of MOTS, saxophonistKino is one-shotting demo videos with motion graphics for me. It feels like I have a full team working on every video. Plus I can see everything my company makes and leave notes on it.
Wilson SpearmanFounder, CreativeModeWe just had the most productive editing session we’ve ever had, in large part thanks to Kino. Turned around this insane edit in 24 hours.
ShivaActor, director, creator of KRAZAMIt’s a breakthrough, especially combined with the newest Opus. You can prompt a lot, but you as the editor are always in control and can edit every second, like in Premiere.
Michał SzklarskiReadyMI give the agent ambitious things and Kino just knows what to do. It searches YouTube, cuts all the silence, it all just works. I love it.
TanishqFounder, Cashew LabsI dumped in an 18 minute clip I’d spent an hour cutting, said “cut this,” and it did a first pass in a minute. It made a rough cut that would have taken me 3 hours. I don’t shut up about Kino.
Jakob LeveilleVoltraI’m letting Kino cook and getting really far, much further than I would have ever gotten alone. It makes things tractable that never would be otherwise. FCP wants to be Kino but could never come close.
Kyle NobleFounder, RoboMake your next video in Kino.
Your footage, your edit and your review notes in one place.
